One's Inspiration

This is an artblog where random inspiring and interesting references or tutorials concerning art, animation are reblogged and posted.
I keep a lot of other material as well, like information that might come in handy writing novels, bits of history, funny stories and what ifs, etc etc.
benditlikekorra:

jennyatsdcc:

elventhespian:

motherofavatars:

bryankonietzko:

We have the best storyboards. No one comes close.

ARE YOU FUCKING SERIOUS

THAT WAS WHAT IT WAS WHAT WHAAAAAAAAAT

oh my freaking lord


I CAN’T BELIEVE THIS SHIT

*laughing* All I can say is, if everyone understands it, it works. Time saved, everyone gets to go home early and the storyboarding artist didn’t have to detail thousands of storyboards. I can dig that. I can dig that a lot.
Now if only my art teachers think the same…

benditlikekorra:

jennyatsdcc:

elventhespian:

motherofavatars:

bryankonietzko:

We have the best storyboards. No one comes close.

ARE YOU FUCKING SERIOUS

THAT WAS WHAT IT WAS WHAT WHAAAAAAAAAT

oh my freaking lord

image

I CAN’T BELIEVE THIS SHIT

*laughing* All I can say is, if everyone understands it, it works. Time saved, everyone gets to go home early and the storyboarding artist didn’t have to detail thousands of storyboards. I can dig that. I can dig that a lot.

Now if only my art teachers think the same…

(via feliznavistop)

jpolgar1:

Around April of last year my friend, Jamie Vickers, encouraged Ben Li and I to apply to animate on Masaaki Yuasa’s “Space Dandy” episode.  Yuasa-san was apparently looking for international animators and posted about it on his Facebook wall.  We turned in our reels and promptly got the gig.

I decided to only take on four shots just to feel it out and to make sure I got it all in on time. 

The Carpaccio animation and shadow passes weren’t used in the final cut, but I decided to include them for this post to show what was turned in and approved.  The rest of the drawings I did came through though!  Very exciting to see the final animation all cleaned up, colored and cut together.

Yuasa-san was very open to us using Flash to animate our shots.  The production took the final keys (genga’s), printed them out, retraced onto paper and inbetweened those drawings.  It’s a pretty wild pipeline, but it totally worked.  I am grateful to have experienced working under one of my most favorite directors, Masaaki Yuasa-san.  

If granted the opportunity I would like to do more animations for Yuasa-san and other overseas productions in the future.  For now I will continue working on my personal project that I aim to get done before the end of the year. 

Space Dandy

Ep 3 Season 2

"Slow and Steady Wins the Race, Baby!"

whackedup:

   Between the tan marks and muscle mass and pubic hair I have, I’m content with life. 

(via boyquail)

babycuts:

thattallsummonerguy:


acid candy pop victorian

We have tons of these kinda houses in my town and the are just really awesome, the houses are actually classified as “Painted Ladies” and the are probably some of the best examples of Asymmetrical, non linear architecture ever created

babycuts:

thattallsummonerguy:

acid candy pop victorian

We have tons of these kinda houses in my town and the are just really awesome, the houses are actually classified as “Painted Ladies” and the are probably some of the best examples of Asymmetrical, non linear architecture ever created

(Source: galacticmimi, via livinlavidaswag)